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Join music journalist, critic and historian Rich Kienzle as he chronicles country music ... and a lot more.

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  • John Pizzarelli
    Music critic Rich Kienzle talks with jazz guitarist and singer John Pizzarelli about his latest release -- "Double Exposure."
  • Sharon Van Etten
    P-G pop music critic Scott Mervis talks with singer/songwriter Sharon Van Etten.
  • Chris Barber/Triggers
    PG pop music critic Scott Mervis talks with Triggers singer-guitarist Adam Rousseau. Music critic Rich Kienzle reviews trombonist Chris Barber's "Memories Of My Trip."
  • Johnny Cash
    Country music critic and historian Rich Kienzle reviews Johnny Cash's "Bootleg Vol. IV: The Soul of Truth."
  • Dolly Parton/Earl Scruggs
    Country music critic and historian Rich Kienzle reviews "An Evening with Dolly Parton," and has an appreciation of bluegrass great Earl Scruggs.
  • Lionel Richie/Big Snow Big Thaw
    PG pop music critic Scott Mervis talks with Jim Sabol and Dani Buncher of Big Snow Big Thaw. Country music critic Rich Kienzle reviews Lionel Richie's "Tuskegee."
  • Moot Davis
    Country music critic Rich Kienzle reviews Moot Davis's "Man About Town."
  • Anti-Flag/The First Female Country Artists
    P-G pop music critic Scott Mervis talks with Justin Sane of Anti-Flag. Country music critic and historian Rich Kienzle looks at the early female pioneers of country music.
  • Carole King
    Music critic Rich Kienzle talks about a new reissue of Carole King's "Pearls: Songs of Goffin & King," and showcases other artists who had hits with the same songs.
  • Fist Fight in the Parking Lot
    P-G pop music critic and Weekend Magazine editor Scott Mervis talks with singer-guitarist Abby Krizner of Fist Fight in the Parking Lot.
  • The Source: Pop Music's Many African-American Roots
    A Black History Month special edition: Music critic and historian Rich Kienzle traces the roots of many pop hits back to the black artists -- in this country and elsewhere around the world -- who originally wrote or recorded them.
  • Waylon Jennings Tribute
    Country music critic Rich Kienzle reviews "Waylon: The Music Inside," the second volume in a Waylon Jennings tribute series.
  • Cowboy Cool: Dean Martin's Country Side
    Country music critic and historian Rich Kienzle explores the country side of singer Dean Martin's recording career.
  • The Little Willies
    Country music critic and historian Rich Kienzle reviews "For The Good Times" -- the latest from The Little Willies.
  • Roots of Rock Guitar/Keller Williams
    Music critic and historian Rich Kienzle explores the music of the early blues, country and jazz guitarists who shaped and influenced rock guitar. P-G pop music critic Scott Mervis talks with Keller Williams.
  • Billy Burnette
    Music critic Rich Kienzle reviews Billy Burnette's "Rock 'N Roll With It."
  • Top Records of 2011
    P-G pop music critic and Weekend Magazine editor Scott Mervis and country music critic Rich Kienzle talk about their picks for the top albums of the year.
  • Scotty McCreery
    Country music critic Rich Kienzle reviews Scotty McCreery's "Clear As Day."
  • George Jones
    Country music critic and historian Rich Kienzle looks at the career of country music icon George Jones.
  • Ray Charles
    Music critic Rich Kienzle reviews "Singular Genius: The Complete ABC Singles," an anthology of recordings by Ray Charles.
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Glen Campbell's official revelation of his Alzheimer's diagnosis is tragic for a number of reasons.  2008 saw him roar back with a powerful mainstream album titled Meet Glen Campbell that placed him in a solidly contemporary framework for the first time in decades, covering material by Green Day, Tom Petty, Jackson Browne, U2, the Replacements, etc.   I thought—and still think—it was a remarkable comeback.

A Campbell farewell tour had been announced several months ago along with announcement of his next album, Ghost on the Canvas, produced by Julian Raymond, who produced Meet. I found a farewell tour surprising, given his age and the album's success, seemingly a solid foundation for a third-act career renaissance. Until yesterday, there'd been no mention of Alzehimer's.  His courage in proceeding with the tour speaks volumes, though it's hardly surprising given his emergence from humble beginnings in Delight, Arkansas.

Here's an early 60's Campbell performance from his time as a regular on Star Route, a syndicated TV program that emphasized West Coast country artists.


Meet Glen Campbell's rock and pop content no doubt surprised some older fans, but it wasn't much of a stretch, given this 1965 rendition of Little Richard's "Rip It Up" from the ABC Shindig program.

In the 60's Campbell was part of the "Wrecking Crew," the famous LA studio band who played on records by The Beach Boys (including Pet Sounds), the Righteous Brothers and other Phil Spector acts, Dean Martin, Frank Sinatra,  Nancy Sinatra, the Monkees and the Byrds.  

Note: a documentary on this extraordinary group of players (with Campbell included) is scheduled for Duquesne University next month. Expect added coverage in coming weeks.

Campbell's early country-pop hits "By the Time I Get to Phoenix" and "Wichita Lineman" were a bit too slick for me, but they revealed Hollywood could give Nashville a run for its money when it came to producing pop-flavored country hits.  During its 1969-1972 lifespan, his CBS variety show The Glen Campbell Goodtime Hour ran the gamut: mainstream showbiz types (actors, singers, comedians). An unknown Steve Martin was one of its writers.  

"Gentle On My Mind" was the Goodtime Hour theme, a Campbell hit I always liked. Here, from this clip of the show, it's sung all the way through by Glen and the song's composer, the late (and incomparable) John Hartford, who a Goodtime Hour regular for a while before becoming a giant of bluegrass and old-timey music.

 

Of course his playing, despite the ravages of time and age, has never been less than inspired. This is Campbell and daughter Ashley's performance of "Dueling Banjos," retitled "Dueling Banjo and Guitar," last year in Nevada.

 

I really don't want this to sound like a eulogy, not when he's hitting the road and has a new album coming at summer's end.  Campbell's clearly at the sunset of his career. Yet given the somber circumstances, it's satisfying he's at least able to enjoy the kind of valedictory tour many aging veterans want, but few ever get.

This is his rendition of Green Day's "Good Riddance (The Time of Your Life),"  one of the highlights of the 2008 album. Is the song pop? Of course. Is his performance country? Damn straight.

 





 

Comments (3)Add Comment
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written by csf, June 23, 2011 - 07:15 AM
He was the biggest name is country music in the late 60s, even more popular than Cash, Haggard and Wynette but then pretty much disappeared.

Two things of nore about him are:

1) his choice of material to cover like "Gentle on My Mind' (made Harrford rich*) and "Wichita Lineman" (and other Jimmy Webb songs.)
2) he was a very underappreciated guitar player. You never got to see much on TV but he would stretch a few solos in concert.

* I saw Bela Fleck a few years back who played a couple of numbers with Hartford's banjo. Fleck said that Hartford told him he could have retired and lived comfortably just on the royalties of "gentle on My Mind'
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written by LarryZ, June 23, 2011 - 10:17 AM
Glen Campbell has always been one of my all time favorites. Great guitar player. Underappreciated actually, as was mentioned before. His "Meet Glen Campbell" release in 2008 was my personal Album of the Year. Just a stunning piece of work, and great production by Julian Raymond and Rob Zander (of Cheap Trick). Witchita Lineman is in my Top 10 all time favorite song. A true legend.
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written by Rich Kienzle, June 23, 2011 - 06:04 PM
"Gentle on my Mind" royalties allowed Hartford to do more than retire. It gave him the freedom to pursue the decidedly non-commercial bluegrass-traditional direction he went onstage and on records. That began in 1971 with his classic album "Aero-Plain" with Vassar Clements and Tut Taylor. Up until his death, he pretty much did what he wanted, thanks to those royalties.

Here's my 2008 Believe Your Ears Podcast review of "Meet Glen Campbell." If it sounds weird, this was only the second podcast we'd done. I think we've gotten a bit better audiowise since.

http://media.post-gazette.com/...urears.mp3

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