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Join music journalist, critic and historian Rich Kienzle as he chronicles country music ... and a lot more.

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  • John Pizzarelli
    Music critic Rich Kienzle talks with jazz guitarist and singer John Pizzarelli about his latest release -- "Double Exposure."
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    P-G pop music critic Scott Mervis talks with singer/songwriter Sharon Van Etten.
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    PG pop music critic Scott Mervis talks with Triggers singer-guitarist Adam Rousseau. Music critic Rich Kienzle reviews trombonist Chris Barber's "Memories Of My Trip."
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    Country music critic and historian Rich Kienzle reviews Johnny Cash's "Bootleg Vol. IV: The Soul of Truth."
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    P-G pop music critic Scott Mervis talks with Justin Sane of Anti-Flag. Country music critic and historian Rich Kienzle looks at the early female pioneers of country music.
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    Country music critic Rich Kienzle reviews "Waylon: The Music Inside," the second volume in a Waylon Jennings tribute series.
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    Music critic and historian Rich Kienzle explores the music of the early blues, country and jazz guitarists who shaped and influenced rock guitar. P-G pop music critic Scott Mervis talks with Keller Williams.
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    P-G pop music critic and Weekend Magazine editor Scott Mervis and country music critic Rich Kienzle talk about their picks for the top albums of the year.
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    Country music critic Rich Kienzle reviews Scotty McCreery's "Clear As Day."
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    Country music critic and historian Rich Kienzle looks at the career of country music icon George Jones.
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    Music critic Rich Kienzle reviews "Singular Genius: The Complete ABC Singles," an anthology of recordings by Ray Charles.
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You probably noticed the obituaries for Pete Rugolo, the composer-arranger-conductor who died at age 95.  Unless you're into jazz orchestration the man and his achievements likely don't register.  But if you're over 40, you've heard a hell of a lot more Pete Rugolo than you realize: on the themes of some classic (and not-so-classic) TV shows.

Born in Italy, Rugolo, like Dave Brubeck, studied composition with the celebrated  classical composer Darius Milhaud.  Trained in symphonic music, Rugolo made his first real splash writing and arranging for the Stan Kenton Orchestra. The bandleader hired Rugolo right out of the Army.

Kenton, based in California, was one of the big band greats to emerge as World War II ended, near the end of the Big Band Era itself. He created a complex and bombastic sound, criticized by many as blasting too much and swinging too little.  Even so, Kenton had his run of fame, and Rugolo's compositions and arrangements in the eyes of many defined the Kenton style especially on things like "Machito." Warning: this is NOT "swing dance" music.

Rugolo caught on big with Capitol Records, Kenton's label and wound up doing extensive arranging work for some of their top vocalists including Peggy Lee and Nat King Cole.  Take note how skillfully Rugolo integrates the King Cole Trio into the big band arrangement (band conducted by Les Baxter) of "That's My Girl."

But enough of that.  HERE is where Rugolo and you may connect.  New, younger TV producers began recruiting him to write bombastic, complex and sometimes feverish theme songs for 50's TV shows like these.   A fair amount of these have been on TV Land, though not all.

Thriller 1960-62 (with Boris Karloff) The original video was pulled off, but you can hear the theme here at 2:16

The Thin Man ( 1957-59) Starring onetime Rat Packer Peter Lawford and Phyllis Kirk in a TV adaptation of the classic novels and the William Powell-Myrna Loy movie

And one of Rugolo's gems: the second theme song for the all but forgotten Richard Diamond, Private Detective (1957-1960) starring David Janssen of Fugitive fame and (legs only) Mary Tyler Moore as "Sam," Diamond's secretary.  This is a whole episode if you want to watch it. I watched them all when I was in grade school.

Rugolo also wrote the theme for The Fugitive (1963-67) itself.

And for the adventure show Run For Your Life (1965-68) starring Ben Gazzara as a dying lawyer trying "to squeeze 30 years of living into one or two."

Surprisingly, Rugolo did almost no major movie work, unlike Pittsburgh area native Henry Mancini, who did both TV and big screen projects. Rugolo stuck with TV and made himself a nice living, remaining active into the 1990's.  Here he is at a 1999 session recording "Minor Riff," the song he did for Kenton. He's in a real recording studio--the band recording live--no overdubs, no computers or Autotune crap, either.

1999 recording session in LA—old school recording.

People like Rugolo deserve to be celebrated, not just for their skills but for the fact they brought cool jazz to the masses--without any of them even realizing it.

Comments (3)Add Comment
...
written by LarryZ, October 19, 2011 - 09:27 AM
I think any recording by any singer using Autotune today should be labeled with "WARNING: Autotune Used in This Recording". Give buyer a choice to spend their elsewhere. No wonder music tonight is total junk. Funny thing is that you can now tell when it's in use. Lazy non-talented singers today...what a joke. Who wants to pay for computer-generated vocals? Are singers really THAT bad, THAT unconfident? Jeez.. (yeah I'm in a bad mood today)smilies/smiley.gif
...
written by BLUZER, October 19, 2011 - 12:17 PM

In an effort to cheer up LarryZ...not all 'studio trickery' is a bad thing!!

THE CHIPMUNKS - BETTE DAVIS EYES
http://www.youtube.com/watch?v=O_DBhJryhKY

I'm happy to report that I'm too young to recognize ANY of the TV shows mentioned in this post!!

Stan Kenton took Swing music in a whole different direction and was a big favorite of my father.

STAN KENTON AND HIS ORCH. - PEANUT VENDOR
(THIS ONE KIND OF SWINGS)
(1965 LIVE PERFORMANCE)
http://www.youtube.com/watch?v=GnXiETfa_fw
...
written by Rich Kienzle, October 19, 2011 - 02:04 PM

Speaking of studio trickery, this is where "The Chipmunks" started: this solo hit by David Seville (real name: Ross Bagdasarian). Ross's cousin was the novelist William Saroyan.

http://www.youtube.com/watch?v=cmjrTcYMqBM

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