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Join music journalist, critic and historian Rich Kienzle as he chronicles country music ... and a lot more.

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  • John Pizzarelli
    Music critic Rich Kienzle talks with jazz guitarist and singer John Pizzarelli about his latest release -- "Double Exposure."
  • Sharon Van Etten
    P-G pop music critic Scott Mervis talks with singer/songwriter Sharon Van Etten.
  • Chris Barber/Triggers
    PG pop music critic Scott Mervis talks with Triggers singer-guitarist Adam Rousseau. Music critic Rich Kienzle reviews trombonist Chris Barber's "Memories Of My Trip."
  • Johnny Cash
    Country music critic and historian Rich Kienzle reviews Johnny Cash's "Bootleg Vol. IV: The Soul of Truth."
  • Dolly Parton/Earl Scruggs
    Country music critic and historian Rich Kienzle reviews "An Evening with Dolly Parton," and has an appreciation of bluegrass great Earl Scruggs.
  • Lionel Richie/Big Snow Big Thaw
    PG pop music critic Scott Mervis talks with Jim Sabol and Dani Buncher of Big Snow Big Thaw. Country music critic Rich Kienzle reviews Lionel Richie's "Tuskegee."
  • Moot Davis
    Country music critic Rich Kienzle reviews Moot Davis's "Man About Town."
  • Anti-Flag/The First Female Country Artists
    P-G pop music critic Scott Mervis talks with Justin Sane of Anti-Flag. Country music critic and historian Rich Kienzle looks at the early female pioneers of country music.
  • Carole King
    Music critic Rich Kienzle talks about a new reissue of Carole King's "Pearls: Songs of Goffin & King," and showcases other artists who had hits with the same songs.
  • Fist Fight in the Parking Lot
    P-G pop music critic and Weekend Magazine editor Scott Mervis talks with singer-guitarist Abby Krizner of Fist Fight in the Parking Lot.
  • The Source: Pop Music's Many African-American Roots
    A Black History Month special edition: Music critic and historian Rich Kienzle traces the roots of many pop hits back to the black artists -- in this country and elsewhere around the world -- who originally wrote or recorded them.
  • Waylon Jennings Tribute
    Country music critic Rich Kienzle reviews "Waylon: The Music Inside," the second volume in a Waylon Jennings tribute series.
  • Cowboy Cool: Dean Martin's Country Side
    Country music critic and historian Rich Kienzle explores the country side of singer Dean Martin's recording career.
  • The Little Willies
    Country music critic and historian Rich Kienzle reviews "For The Good Times" -- the latest from The Little Willies.
  • Roots of Rock Guitar/Keller Williams
    Music critic and historian Rich Kienzle explores the music of the early blues, country and jazz guitarists who shaped and influenced rock guitar. P-G pop music critic Scott Mervis talks with Keller Williams.
  • Billy Burnette
    Music critic Rich Kienzle reviews Billy Burnette's "Rock 'N Roll With It."
  • Top Records of 2011
    P-G pop music critic and Weekend Magazine editor Scott Mervis and country music critic Rich Kienzle talk about their picks for the top albums of the year.
  • Scotty McCreery
    Country music critic Rich Kienzle reviews Scotty McCreery's "Clear As Day."
  • George Jones
    Country music critic and historian Rich Kienzle looks at the career of country music icon George Jones.
  • Ray Charles
    Music critic Rich Kienzle reviews "Singular Genius: The Complete ABC Singles," an anthology of recordings by Ray Charles.
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On April 3, Legacy Recordings will release Johnny Cash Bootleg IV: The Soul of Truth, a two-CD collection of Cash gospel material from the Columbia years.

Disclosure: I've done annotations in the past for Legacy and continue to do so, including one future Cash project.

The bulk of Disc One reissues his 1979 album A Believer Sings the Truth, a two-LP gospel collection released on the small sacred label Cachet that year. Half the tracks were reissued three years later on Priority, a Columbia gospel label that existed at the time. Others were issued on a 1984 album titled This I Believe and one, "Truth," is previously unissued.  Among the guest vocalists on this material are June Carter Cash, her sister Anita Carter, Cash's daughters Rosanne and Cindy and Rosanne's then-husband Rodney Crowell.

Disc Two begins with 12 1975 numbers recorded for a planned gospel album that never appeared.  Two appeared on later anthologies but the others have never appeared in any form.  The remaining 14 songs were recorded in 1982 for the album Johnny Cash--Gospel Singer, also issued on the Priority label but considered an obscure title.  Four remaining songs from those sessions appear here for the first time.  John Carter Cash, John and June's son, authored the notes and Gregg Geller, who's overseen the previous Bootleg sets, produced this one as well.

Comments (2)Add Comment
...
written by csf, February 11, 2012 - 10:07 AM
Cash was always an enigma or a paradox as his friend Kris Kiristofferson called him. His best friends were the Reverend Billy Graham and the outlaw Waylon Jennings. He sang about outlaws, jail, drugs and murder ... yet it was no secret that gospel music was his favorite.
...
written by Rich Kienzle, February 11, 2012 - 08:21 PM

Right you are. "Walking contradiction," another Kristofferson phrase, works just as well.

Cash's favorite singer was Sister Rosetta Tharpe, the black gospel vocalist and guitarist who hit big with "There Are Strange Things Happening Every Day" in 1945. He also loved the Louvin Brothers, who sang both secular and gospel. In the 40's as a kid, he listened to the Louvins on radio when they worked in Memphis, not far from where he grew up. He also loved the gospel of Louisiana Gov. Jimmie Davis.

Many assume he wrote all those jail, drug and murder songs he sang. He wrote some, but many, like "Cocaine Blues" and "Delia's Gone" were written by others. "Delia" is an ancient folk tune. He knew those older songs and he often made them his own.

Cash's first close friend, pre-Waylon was the singer Johnny Horton of "Battle of New Orleans" fame. They were longtime fishing buddies, and it's been said Horton's death in a violent 1960 car crash sent Cash spiraling deeper into his fairly new drug habit.

Waylon filled that void in the late 60's and Cash was also close to Graham (he had a few other close friends as well).

Cash and his songs spanned the diversity of life, the positive, negative and everything in between. He truly epitomized Southern traditions of Saturday Sinner, Sunday Saint," the actual title of an Ernest Tubb number.

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